Scenic Interpretation of Prose Work On the example of Temur Chkheidze’s Performance “Duel” ; პროზაული ნაწარმოების სცენური ინტერპრეტაცია თემურ ჩხეიძის სპექტაკლის „დუელი“ მაგალითზე
In: Art Science Studies; Vol. 90 No. 3 (2022) ; სახელოვნებო მეცნიერებათა ძიებანი; ტომი 90 გამოშვების ნომერი 3 (2022, 2023
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Zugriff:
Both the performance “Duel” and the story realistically are represented consecutive development and transformation of characters’ natures. Even though the characters live in the same time and space, they have different ideologies and even diverse moral and ethical values. Stage director Temur Chkheidze demonstrates in the performance “Duel” some human, super-epochal, specific problems not within time-space and the relations. Accordingly, he provides us with artistically and creatively comprehended versions of certain events as a provoker of humanization processes. The tragedy of existence, human comprehensive intension, melancholy, and ephemera of psychological balance and relation, not exactly action as an outward factor of narration, but of internal dynamism, accentuation of spiritual movement, transfer of detail and nuance within creative vision is singlehandedly reflected with the stage director. The story that did not make and even today does not make indifferent its reader is also agitating its spectator even at the time of its performance to the stage. The principal purpose is not lost in staging. The mood and philosophy of the story are even maintained in the theatrical performance. This performance staged by Temur Chkheidze once more demonstrated to our diversity, ambivalence, and dramatism of the human inner world that the initial authentic, archetypic struggle and intolerance of human individual problems lead mankind even to tragic, dehumanized, and sometimes even delirious ideas. At the very beginning of the performance, the stage director informed spectators about the character Laevski. He represented Laevsk as a nervous romanticist, who migrated to the province of the Russian empire, the province of Black Sea beach for finding ideals. In the very first event, the stage director showed us the dialogue speech of characters naturalistically represented by the writer from the visual-verbal prism. Exactly from the beginning of the performance is already presented a scenic image of two different ...
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Scenic Interpretation of Prose Work On the example of Temur Chkheidze’s Performance “Duel” ; პროზაული ნაწარმოების სცენური ინტერპრეტაცია თემურ ჩხეიძის სპექტაკლის „დუელი“ მაგალითზე
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Autor/in / Beteiligte Person: | Nadibaidze, Sofia |
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Zeitschrift: | Art Science Studies; Vol. 90 No. 3 (2022) ; სახელოვნებო მეცნიერებათა ძიებანი; ტომი 90 გამოშვების ნომერი 3 (2022, 2023 |
Veröffentlichung: | Shota Rustaveli Theatre and Film Georgia State University, 2023 |
Medientyp: | academicJournal |
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