近代建築におけるジャポニスム以後 -岸田日出刀の戦時期の言説からみるモダニズム的日本建築理解の形成- (Japanese)

The article delves into the formation of modernist interpretations of traditional Japanese architecture during wartime discourse, focusing on Kishida Hideto's critique of "Japanese taste" and "Japaneseness" in architecture. It examines the debate surrounding the design of the Japanese Pavilion at the Paris Universal Exposition in 1937. It highlights the transition from "Japanese taste" to "Japaneseness" and its implications for modern architectural design in Japan.