Replaying Wartime Résistance? Studying Ludic Memory-Making in the Open World Game The Saboteur.
In: Games & Culture, Jg. 19 (2024-03-01), Heft 2, S. 178-198
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Zugriff:
Ever since the emergence of digital gaming as a popular pastime, the Second World War has been one of its major sources of inspiration. This article contributes to the study of the memory-making potential of historical digital entertainment games, by offering an analysis of The Saboteur, an American game that is set in France during the Second World War and that offers a depiction of an explorable open game world occupied by the Nazi regime. Through an analysis of a game's paratextual positioning, its ludic social discourse, and instances of perceived ludonarrative dissonance from a historical and cultural memory perspective, the article concludes that the game offers a romanticized representation of male violent resistance against the Nazi occupier who is depicted as Manichaeistically evil and a-historically violent. This representation equally reconfirms the dominant cultural memory narratives formulated in France and the United States during and immediately after the war. [ABSTRACT FROM AUTHOR]
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Titel: |
Replaying Wartime Résistance? Studying Ludic Memory-Making in the Open World Game The Saboteur.
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Autor/in / Beteiligte Person: | Van den Heede, Pieter J.B.J. |
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Zeitschrift: | Games & Culture, Jg. 19 (2024-03-01), Heft 2, S. 178-198 |
Veröffentlichung: | 2024 |
Medientyp: | academicJournal |
ISSN: | 1555-4120 (print) |
DOI: | 10.1177/15554120231160904 |
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