Alioune Diop and the Cultural Politics of Negritude: Reading the First Congress of Black Writers and Artists, 1956.

This article analyzes the proceedings of the First Congress of Black Writers within the context of the global Cold War, teasing out the contradictory political agendas that subtended this foundational event for black writing and African literature. It treats the First Congress as a spectacle designed by Alioune Diop, founder and editor of Présence Africaine , in order to create before the Cold War world an image of a unified black collectivity: a (geo) political impact that Diop envisioned for his conference ostensibly limited to discussions of culture. The article explores the rhetorical strategies by which Diop maintained an image of consensus among a caucus of delegates who were in fact deeply divided politically. It discusses Diop's invocation of the 1955 Bandung Conference, his deliberately broad definition of culture, and his deployment of liberal human rights discourse as consensual strategies that cohere to project an image of a transatlantic black civic culture already independent and sovereign in all but name. [ABSTRACT FROM AUTHOR]

Copyright of Research in African Literatures is the property of Indiana University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)