Jean Rouch -l'enfant terrible antropologii i filmu. (Polish)
In: Teksty Drugie, 2018, Heft 1, S. 91-110
Online
academicJournal
Zugriff:
The field of anthropology continues to be dominated by an approach that focuses on the spoken or written word. The filmmaker and anthropologist Jean Rouch is one of the few who have worked comfortably with both film and the (spoken and written) word. Sikora presents Rouch's method and working style mostly by looking closely at his key film, Moi, un Noir (1958). Rouch is presented as a pioneer not only of shared anthropology, but also of the method in which the creation of anthropological knowledge (film) becomes a tool supporting the process of constructing a (new) subjectivity and of transgressing the colonial relationship. Oumarou Ganda, the film's protagonist, would become a groundbreaking African film director. [ABSTRACT FROM AUTHOR]
Copyright of Teksty Drugie is the property of Polish Academy of Sciences, Institute of Literary Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Titel: |
Jean Rouch -l'enfant terrible antropologii i filmu. (Polish)
|
---|---|
Autor/in / Beteiligte Person: | Sikora, Sławomir |
Link: | |
Zeitschrift: | Teksty Drugie, 2018, Heft 1, S. 91-110 |
Veröffentlichung: | 2018 |
Medientyp: | academicJournal |
ISSN: | 0867-0633 (print) |
DOI: | 10.18318/td.2018.1.6 |
Sonstiges: |
|