RATNA I PORATNA REVOLUCIONARNA POEZIJA U JUGOSLAVIJI IZMEĐU ŠABLONSKOG PJESNIŠTVA I ORIGINALNIH POETIKA. (Bosnian)

In the South-Slavic regions, revolution poetry was present as early as the Middle Ages in both its basic forms--oral and written literature--among almost all the South-Slavic peoples, although the quality and intensity varied. In the wartime periods in the Balkans, this medium of social pro-activism was gaining more significance and was promoted to occupy the central position of the literary throne where the peculiar political role also determined its aesthetical value to a great degree. It is precisely for this reason that a qualitative stratification of this layer of our shared spiritual heritage took place and was, in many aspects, founded both on the premises of poetics, oral or written revolution poetry, but also their transitional genres of poetry on the labouring masses and the partisan folk song. It is the very oral tradition level of such poetics that was characterized as "stereotypical", whereas the written tradition varied depending on the erudition and the quality of the very author, and would at times trespass the revolutionary framework only to be engrossed into universal lyrical values of the South-Slavic and world literature. [ABSTRACT FROM AUTHOR]

Revolucionarna poezija je na južnoslavenskom tlu prisutna još u srednjevjekovlju u oba svoja bazična tipa -- usmenoj i pisanoj književnosti -- i to kod skoro svih južnoslavenskih naroda, ali doduše ne jednakog kvaliteta i intenziteta. U periodima ratnih događanja na balkanskome području ovaj medij društvenog aktivizma i agitizma dobija na značaju i biva promaknut na centralnu poziciju književnog pijadestala s posebnom političkom ulogom koja umnogome određuje i njegovu estetsku vrijednost. Upravo iz tog razloga nastaje kvalitativna diferencijacija ovog sloja našeg zajedničkog duhovnog naslijeđa koja se u mnogo čemu temelji i na ishodištima poetika bilo usmene bilo pisane revolucionarne poezije, kao i njihovih međuprijelaznih tipova masovne radničke poezije i partizanske narodne pjesme. Upravo će usmeni nivo ovog pjesništva biti kakrakteriziran kao šablonski, dok će pisana komponenta varirati u ovisnosti od erudicije i kvaliteta samoga autora, koji će u pojedinim slučjevima nadilaziti okvire revolucionarnoga i ukomponirati se u univerzalne lirske vrijednosti južnoslavenske i svjetske literature. [ABSTRACT FROM AUTHOR]

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