Contemporan cu fluturii, cu Dumnezeu şi cu Marcus Aurelius.
In: Revista Transilvania, 2019-11-01, Heft 11/12, S. 11-21
Online
academicJournal
Zugriff:
Although Romulus Bucur proves to be an influential figure in the most recent Romanian poetry trends, he has been drawing a peculiar type of critique throughout his thirty-five years of career. Some of the important literary historians (Manolescu, Zaciu, Negrici) have simply forgotten him in their syntheses, some (Simion, Martin, Cistelecan) have only settled for dealing with his work by means of singular interventions, in a categorical and descriptive manner, without following through the author's overall path. This unfair situation would have probably continued if Bucur wouldn't have published, in 2015, two books that trigger the effect of a geniune electric shock: The Art of War, an anthology with all the coordinates for it to be regarded as masterpiece, and automonography Opus Caementicium, where he explains (following the line that began with Poe, further used by Eliot and Pound) his reference system and poetic preferences. With suggestions from the latter book as a startpoint, the current essay offers a plausible and functional model of understanding the poetry of Romulus Bucur as a continuum novel, where, almost like in David Mitchell's book, Cloud Atlas, the hero (soaked in musical and literary culture) stays true to himself, while also changing his age, epoque, temper and even his state of matter. [ABSTRACT FROM AUTHOR]
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Contemporan cu fluturii, cu Dumnezeu şi cu Marcus Aurelius.
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Autor/in / Beteiligte Person: | CIOTLOŞ, Cosmin |
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Zeitschrift: | Revista Transilvania, 2019-11-01, Heft 11/12, S. 11-21 |
Veröffentlichung: | 2019 |
Medientyp: | academicJournal |
ISSN: | 0255-0539 (print) |
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